Have you ever thought that life would all make sense when you got to the end of it and looked back? Have you identified those moments, decisions, actions in which life changed course immediately? The Rocks, Peter Nichols’ second novel, raised these questions in my mind but didn’t answer them reassuringly. It did, however, give me a very enjoyable read.
When the book opens, it is 2005 and long-divorced couple Lulu and Gerald have encountered one another for the third time in the sixty years since their disastrous honeymoon, despite being two ex-patriot Brits living on the same small Spanish Island. The chance meeting at a local market, ends on the road to Lulu’s resort hotel, the Rocks.
[Gerald] caught up with Lulu just outside the Rocks. He grabbed her arm again with strength field by rage, and spun her round.
“You never — he stared, with a smoker’s bulling growl, but his chest was empty of air, heaving spasmodically.
Again, Lulu shook off his grip. But she was surprised and immensely pleased to see the effort Gerald had made, how overwrought, breathless, and unwell he was. It occurred to her that with just a nudge, he might easily die of a heart attack right in front of her. “You’re pathetic, Gerald. An empty, hobbling husk of a man.” A flame of old anger rose in her. “You’re a belter! A miserable, wretched shit of a fucking —
“You never developed the film! Did you!” The furious, strangled world erupted wetly out of Gerald’s chest, his body pitching forward. “I lured them away! Do you understand? I got them away ! I — ” His blue-and-gray glistening face thrust into hers, but he had no more breath.
The encounter ends, shall we say, badly and without further explanation. Over the course of the next several hundred pages, Nichols leads the reader back in time through the lives of Gerald and Lulu, Gerald’s daughter Aegina and her child Charlie, Lulu’s son Luc and his frustrated careers, and illuminates motivations, temptations, sins, and omissions in reverse. The Rocks drops the reader into 2005, 1995, 1983, 1970, 1966, 1956, 1951, until, finally, we reach the beginning in 1948, and the revelation of what happened on Gerald and Lulu’s honeymoon voyage.
It reminded me a bit of one of my favorite novels of the last few years, Beautiful Ruins by Jess Walter, reviewed here: https://daeandwrite.wordpress.com/2014/08/17/simply-beautiful-beautiful-ruins-by-jess-walter/.
Emma Straub’s 2014 novel The Vacationers, https://daeandwrite.wordpress.com/2014/08/29/the-vacationers-by-emma-straub/ is also set during a disintegrating family’s vacation on Mallorca, but other than setting has little in common with The Rocks.
Gerald Rutledge, my favorite character of the book, has devoted his life to three things: repeating Odysseus’ voyage and
finding the actual locations of incidents in The Odyssey; raising his daughter Aegina; and working and preserving his own little bit of Mallorcan paradise with its olive groves and lemon trees. Lulu, conversely, I didn’t like at all. She devotes her entire life, seemingly, to scheming revenges, neglecting her child, and plotting sexual pairings.
Kate Christensen, reviewer for the New York Times Book Review, read Nichols’ memoir Sea Change.
As I read, I had a series of “aha!” moments; the parallels between Nichols’s own life and marriage and those of his fictional characters were deeply satisfying to uncover. Nichols, like his character Luc, grew up partially on Mallorca, the son of divorced parents. Like the novel’s secondary lovers, Luc and Aegina, Nichols and his ex-wife met as children on the island, and their own romance failed, in part, because of their inability to transcend their childhood knowledge of each other and become adults together. The memoir, like the novel, contains a precipitous nautical elopement, dope smuggling in Morocco and a young wife held hostage by pirates. People getting into trouble, both on boats and in marriages, might be said to be the common theme between the two books.
I very much enjoyed The Rocks. The themes of regret, misunderstanding, romantic love and adventure will be excellent fodder for your book club’s discussion.
On board Szabo’s yacht, a luxurious menu is served.
Two young crewmen appeared with bowls of salad. They poured wine for each of the guests. . . . the plates were handed out: cold grilled quail with a reduced fig sauce, tiny warm new potatoes, avocado halves filled with pomegranate seeds, plates of toast with pate de foie gras.
Gerald’s own menu is much simpler: “Aegina had made the tumbet she had learned from her mother: a Mallorcan dish full of aubergines, tomatoes, onion, garlic, goat cheese, and olives from Gerald’s trees.”
This recipe for Mallorcan Tumbet fromSpanish Sabores blog looks like the genuine article: http://spanishsabores.com/2013/09/15/mallorcan-tumbet-recipe/
Aegina listens to her father’s favorite records while painting. Those mentioned, pastoral music of the late-nineteenth and early-twentieth century English composers, are: “Vaughan Williams, Elgar, Butterworth, Holst, Finzi, Alwyn, Bantock, Parry, Bridge, Delius, Moeran.”
iTunes has a $7.99 album of Elgar’s music. Elgar: Enigma Variations, Introduction & Allegro. Spotify has an English Song Series by Butterworth you could play for free.
Gerald – Benedict Cumberbatch
Lulu – Emily Blunt
Luc – Jamie Bell
Aegina – Oona Chaplin
Happy Reading & Eating!
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