Post-Arthurian Apocalyptic Fantasy: The Buried Giant, by Kazuo Ishiguro

The Failure of Sir Gawain by William Morris

The Failure of Sir Gawain by William Morris

I’ve struggled for two days with what to say about The Buried Giant, Kazuo Ishiguro’s latest novel.  I guess I will begin here:  it’s a knights and dragons fantasy, an Arthurian romance, a Medieval adventure, a journey, a treatise on love and loss, an allegory, a meditation on war and peace and success and failure.  It’s beautiful, it’s sad, it’s occasionally funny.

As the best novels do, The Buried Giant begins with a journey.  Axl and Beatrice emerge from a barely-remembered and undefined term of darkness in their buried city with a plan to take a journey.

“You’ve long set your heart against it, Axl, I know.  But it’s time now to think on it anew.  There’s a journey we must go on, and no more delay.”

“A journey, princess?  What sort of journey?”

“A journey to our son’s village.  It’s not far, husband, we know that.  Even with our slow steps, its a few days’ walk at most, a little way east beyond the Great Plain.  And the spring will soon be upon us.”

The journey is prompted by the couple’s wish to remember.  Not only Axl and Beatrice, but their entire country, where Britons live shoulder to shoulder in an uneasy peace with Saxons, is surrounded in a mist of forgetfulness.  “We can’t even remember [the days when we were foolish young lovers].  We don’t remember our fierce quarrels or the small moments we enjoyed and treasured.  We don’t remember our son or why he’s away from us,” Beatrice frets.

The setting of the novel is somewhere in Southern England between the fall of the Roman empire and the driving out of the Celtic tribes by the Anglo-Saxons in the seventh or eighth century.  To me, a big fan of King Arthur, Queen Guinevere and the Knights of the Round Table, I imagine that Ishiguro chose Glastonbury as the setting for The Buried Giant.  Glastonbury has long been linked to Arthurian legend and particularly to Avalon, the isle of the dead, where the spirits of the deceased would dwell.  In a story told by Caradoc of Llancarfan, Melwas, king of the “Summer Country,” kidnapped Guinevere while she was a-maying.  It took Arthur an entire year to find her and then he and his army attached Melwas’ stronghold but it was not until Gildas, the Christian cleric said to reside in Glastonbury, negotiated a peace treaty with Melwas that she was released.  (Another version has Lancelot responsible for her rescue and thus begins their affair).  King Arthur and the Gods of the Round Table, David Dom (lulu.com 2013).

This becomes more important, perhaps, when the first person Axl and Beatrice meet on their journey is a boatman and one of his former, would-be passengers.

“Good lady, the island this old woman speaks of is no ordinary one.  We boatmen have ferried many there over the years, and by now there will be hundreds inhabiting its fields and woods.  But it’s a place of strange qualities, and one who arrives there will walk among its greenery and trees in solitude, never seeing another soul.  Occasionally on a moonlit night or when a storm’s ready to break, he may sense the presence of his fellow inhabitants.  But most days, for each traveller, its as thought he’s the island’s only resident.  I’d happily have ferried this woman, but when she understood she wouldn’t be with her husband, she declared she didn’t care for such solitude and refused to go.”

Their next stop, in a Saxon village, brings them in contact with Wistan, a Saxon soldier, and Edwin, a Saxon teenager, recently rescued by Wistan from something terrible which may or may not have involved a dragon’s unhealing wound.  Wistan and Edwin will travel with Beatrice and Axl to find none other than Sir Gawain, King Arthur’s nephew and the last surviving knight of his realm. As they quartet commences to fulfill a quest which now includes slaying a dragon as well as finding a son, they meet crones, monks, secret fortresses, pixies, hidden tunnels, treacherous allies, and ultimately, one very sad dragon.  Essentially, one episode of Game of Thrones, I take it.

From Disney's Sleeping Beauty

From Disney’s Sleeping Beauty

Ishiguro is a master storyteller and draws the reader through the landscape with increasing anxiety for our protagonists.  First Wistan, then Galahad, claim to recognize Axl from the distant past.  Axl himself seems to remember a time before the mist when he may have been a man of some importance, a man negotiating a peace as suggested by the meaning of his name.  Beatrice, whose own name means traveler, recalls the journey of Dante’s Beatrice in The Divine Comedy, where Beatrice guides Dante through the celestial spheres of Heaven.

Or maybe I am digging too deep or imprinting my own interpretation.  Alex Preston wrote in his review for The Guardian:

It is possible to construct specific interpretations for Ishiguro’s novel. One thinks of Primo Levi in 1948, feeling that If This Is a Man, his memoir of the Holocaust, was a “discourtesy” in the forward-looking postwar world. We can view the “buried giant” as the way history has been swept over any number of genocides, from Armenia to Rwanda. It may even be an explanation for the disappearance of the Britons – killed not by marauding Saxons, but by their own guilt.

Focusing on one single reading of its story of mists and monsters, swords and sorcery, reduces it to mere parable; it is much more than that. It is a profound examination of memory and guilt, of the way we recall past trauma en masse. It is also an extraordinarily atmospheric and compulsively readable tale, to be devoured in a single gulp. The Buried Giant is Game of Thrones with a conscience, The Sword in the Stone for the age of the trauma industry, a beautiful, heartbreaking book about the duty to remember and the urge to forget.  http://www.theguardian.com/books/2015/mar/01/the-buried-giant-kazuo-ishiguro-review-game-of-thrones-conscience

Neil Gamian, master storyteller himself, reviewed The Buried Giant for The New York Times:

Alfred Kappes, 1880

Alfred Kappes, 1880

Ishiguro is not afraid to tackle huge, personal themes, nor to use myths, history and the fantastic as the tools to do it. “The Buried Giant” is an exceptional novel, and I suspect my inability to fall in love with it, much as I wanted to, came from my conviction that there was an allegory waiting like an ogre in the mist, telling us that no matter how well we love, no matter how deeply, we will always be fallible and human, and that for every couple who are aging together, one or the other of them — of us — will always have to cross the water, and go on to the island ahead and alone.  http://www.nytimes.com/2015/03/01/books/review/kazuo-ishiguros-the-buried-giant.html?_r=0

My recommendation:  read it.  I think you will enjoy it.  And I think there is quite a bit to discuss.  Lots of symbolism.  And meaning of life.  And if you have married couples, you can debate whether you will be able to both cross the lake and be able to stay together once you reach the island.  Just don’t blame me for the fight!

MENU

I’m choosing a menu taken directly from the pages of the book.  Beatrice and Axl are guests of village elder Ivor at the Saxon village.  He serves them bread, honey, biscuits, jugs of milk and water and a tray of poultry cuts.

Bachelor Biscuits — my favorites (and easy)

2 c. self rising flour
1/4 c. shortening
1 c. milk
Preheat oven to 450 to 475 degrees. Place flour in mixing bowl; add shortening. With pastry blender or blending fork, cut shortening into flour until mixture resembles coarse crumbs.Gently push the flour mixture to the edges of the bowl, making a well in the center. Blend the milk with a fork until dough leaves sides of bowl. Do not overmix.

Turn dough onto lightly floured surface. Knead gently 10 to 12 strokes. On lightly floured surface, pat or roll dough to slightly more than 1/2 inch thickness. Cut with 2 or 2 1/2 inch cutter, dipping cutter into flour between cuts.

 Drop dough from tablespoon onto greased baking sheet; bake 6-8 minutes til golden. Makes 12.
Bourbon-Honey Chicken
1/2 Cup Bourbon
1/2 Cup Honey
1 Tablespoon Soy Sauce
Black pepper to taste
2 tablespoons olive oil
Increase marinade in proportion if necessary for increased amount of chicken.  Marinate chicken for 6-8 hours in the refrigerator.  Then grill if possible, or oven cook at 375 degrees for 20-30 minutes (without bone) and finish with a couple minutes under the broiler to get caramelization.
MUSIC
My choice would be the soundtrack from 1994’s Excalibur.  Trevor Jones’ compositions written for the film were a mix of post-Romantic and new age material, interspersed with and decidedly antiquated folk-based sounds, pieces for tin whistle juxtaposed with works for eerie female chorus and strange musical oscillations; other works intermingle folk and classical material of extraordinary density and power, according to reviewer Bruce Eder.  There’s also some Wagner in there!
CASTING
Given that this is the 7th or 8th century, 50 would be ancient.  So . . .
AXL — Daniel Day-Lewis
Beatrice — Ah, you know who would be perfect for this?  Vivien Leigh.  Alas.  Helena Bonham Carter.
Wistan — Alexander Skarsgard
Edwin — Isaac Hempstead White (from Game of Thrones)
Sir Gawain — Sean Connery (who else?)
first-knight-5
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Monkeying Around: We Are All Completely Beside Ourselves, by Karen Joy Fowler

monkey_on_bicycle_vintage

Vintage Photo

     Karen Joy Fowler is an author with range.  The Jane Austen Book Club.  Sarah Canary (Pacific Northwest, 1873).  Sister Noon (Gilded Age, spinster and charity work in San Francisco).  Now, We Are All Completely Beside Ourselves, a novel about a family who raises a chimp as a child.

     Unfortunately, by telling you the premise of the book, I give nothing away.  The flap copy, the back jacket tell you this.  And it’s a mistake.  Because if you just picked up the book and began reading, it would take you until you were about 1/3 of the way through before you realized you were reading about a chimp.

     In her New York Times review of the book, Barbara Kingsolver expresses the same frustration.

To experience this novel exactly as the author intended, a reader should avoid the flap copy and everything else written about it. Including this review. The last writers to be unscathed by spoilers were probably the Victorians, who pounded out the likes of “Great Expectations” in weekly, serialized installments. No reviewer could blow the surprise of a convict benefactor or Miss Havisham’s cobwebby cake when these were yet unwritten. But in modern times, literary fiction presents a conundrum: The more craftily constructed its suspense, the more it tempts its advocates — in the interest of airtime — to reach into a serious tale and pull out something resembling a tabloid headline. Such as: “Girl and Chimp Twinned at Birth in Psychological Experiment.” That’s the big reveal in Karen Joy Fowler’s “We Are All Completely Beside Ourselves,” a novel so readably juicy and surreptitiously smart, it deserves all the attention it can get.

0609-bks-KINGSOLVER-cover-popupMatt Dorfman for the New York Times

     In the 1970s, Indiana University Professor Cooke and his wife bring two new members into their family simultaneously:  Rosemary and Fern. Rosemary is their biological daughter.  Fern is adopted; she was the child of a chimpanzee slaughtered by poachers in Africa.  Rosemary narrates the story, beginning in the middle.    Along the way, Rosemary and author Fowler raise hugely disturbing questions about the ethical treatment of non-human animals in our society.  Rosemary remembers being sent away by her family at age five; when she returned, Fern was gone.  Where she went and why is the puzzle at the heart of Rosemary’s story and Fowler’s novel.

1_SampleGatesFall

IU Sample Gates.  GO  HOOSIERS

     Ultimately, it’s a novel about the truths we tell ourselves.  The issues we believe in more than self-preservation.  Memory, family, transformation, joy and grief.

     We Are All Completely Beside Ourselves won the Pen/Faulkner Award for 2014, and was recently short-listed for the Man Booker Prize.  It will be the topic of discussion at the Carnegie Center for Literacy and Learning’s Brown Bag Book Club the weeks of October 30 and November 6.  By the way, The Carnegie Center is the recipient of this year’s Kentucky Governor’s Award for the Arts.  Here’s a very interesting article with Ms. Fowler about her father’s career as an animal behavioralist and some of her thoughts on the novel:  http://karenjoyfowler.com/books/we-are-all-completely-beside-ourselves-qa/

MENU:

I would have a lot of fun with this book for book club night and for the menu, there is no question I would go as vegan as possible.

Golden Raisins mixed with peanuts

Peanut butter and marshmallow sandwiches.  Grilled.  Yummy.

Plantain chips

Banana Cream Pie

MUSIC

You know where I’m going don’t you?

Oh yeah:  http://www.monkees.com/listen  monkees-logo

MOVIE CASTING

Rosemary:   Elle Fanning  Academy Of Motion Picture Arts And Sciences' 2nd Annual Governors Awards

Dr. Cooke:   Alexander SkarsgardAlexanderSkarsgard_900-600-05-14-12

Mrs. Cooke:  Drew BarrymoreDrew Barrymore

Lowell:  Joseph Gordon-Levittjoseph-gordon-levitt-feminist

Harlow:  AnnaSophia RobbAnna

Happy Reading!