With the first spoken words of the author’s note in the audible version of Daisy Jones and The Six, I wondered if I’d somehow never heard of this quintessential California band of the 1970s. But then Daisy herself began speaking, I recognized the actual voice of Jennifer Beals, and I congratulated the author on a job well-done. Apparently, I’m not the only one who has been fooled into thinking it might have been the real thing.
There are times when I love listening to a book and times when I loathe it: this was one of the times I loved it. Jennifer Beals, Pablo Schreiber, Ari Fliakos, Benjamin Bratt, Judy Greer. It’s a great cast and they do a wonderful job infusing the multiple point of view story with emotion, personality and pathos.
The book begins as a portrait of Daisy Jones, someone the reader is presumed to know.
You’ve got a rich white girl, growing up in L.A. She’s gorgeous—even as a child. She has these stunning big blue eyes—dark, cobalt blue. One of my favorite anecdotes about her is that in the eighties a colored-contact company actually created a shade called Daisy Blue. She’s got copper-red hair that is thick and wavy and . . . takes up so much space. And then her cheekbones almost seem swollen, that’s how defined they are. And she’s got an incredible voice that she doesn’t cultivate, never takes a lesson. She’s born with all the money in the world, access to whatever she wants—artists, drugs, clubs—anything and everything at her disposal.
But she has no one. No siblings, no extended family in Los Angeles. Two parents who are so into their own world that they are all but indifferent to her existence. Although, they never shy away from making her pose for their artist friends. That’s why there are so many paintings and photos of Daisy as a child—the artists that came into that home saw Daisy Jones, saw how gorgeous she was, and wanted to capture her. It’s telling that there is no Frank Jones piece of Daisy. Her father is too busy with his male nudes to pay much attention to his daughter. And in general, Daisy spends her childhood rather alone. . . .
We love broken, beautiful people. And it doesn’t get much more obviously broken and more classically beautiful than Daisy Jones.
So it makes sense that Daisy starts to find herself on the Sunset Strip. This glamorous, seedy place.
Then we meet a band called The Six: brothers Billy and Graham Dunne, brothers Pete and Eddie Loving, Karen Karen the keyboardist, and drummer Warren Rhodes. Billy Dunne has found his love of a lifetime, Camilla, and spends most of his days trying to make up for his alcoholic past by writing her love songs. Graham spends most of his time trying to convince Karen to live with him happily ever after. Pete has a long-distance girlfriend, Eddie hates Billy, and Warren just wants to meet chicks. I am a huge fan of Ari Fliakos and he reads Warren to hilarious perfection here.
After lots of backstory about poor little rich girl Daisy, and her drug-infused life at the Chateau Marmont; about Billy’s descent into and out of drugs, alcohol and women following his wife’s pronouncement that she’s pregnant; after Eddie throws a fit a day over Billy’s control of the band — the band and Daisy come together, as these things happen.
Billy and Daisy don’t like each other much. She’s wasting her talent; he’s limiting his to love songs for his wife. But Daisy is invited to open on tour for The Six. When circumstances offer Billy and Daisy an opening to sing together, the dynamic explodes. They are suddenly the most popular band in the world: top of the charts, sold out concerts, groupies, roadies, Rolling Stone covers, cocaine, bennies, champagne, girls-girls-girls.
At the urging of no less than Rolling Stones’ cover, Daisy joins The Six as an official member of the band. And as writing partner of Billy Dunne.
Daisy Jones and The Six paints a livid scene of the music industry in the 1970s. As I listened, I felt this must have been based on someone — Linda Ronstadt and the Eagles maybe? — but in retrospect, I think it’s more likely based on everyone who ever had talent and tried to take it further. About every woman who ever faced the fact that “men often think they deserve a sticker for treating women like people.”
Reid says she was inspired to write the book by songwriting teams.
First, I was really taken with how often in culture there are these men and women who write incredible songs together, but also have somewhat complicated personal relationships. The most obvious example is Stevie Nicks and Lindsey Buckingham in Fleetwood Mac, but there’s a lot of them—The Civil Wars, who broke up in 2014, and other group bands who have had difficulty in their relationships and broke up very abruptly. Take Beyoncé and Jay-Z for example (even though it’s hip-hop and not rock), who have this incredible relationship. They take their personal life and make art from it. I’m fascinated by it, so I wanted to create a band to explore that further.
There are moments particularly striking in light of the Bradley Cooper-Lady GaGa are they-aren’t they discussions as well.
Reese Witherspoon liked the book enough to choose it for her book club and optioned the TV rights before publication, and Amazon has ordered a 13-episode run of the adaptation of the book, with writers Scott Neustadter and Michael H. Weber (500 Days of Summer, The Fault In Our Stars) penning the scripts. Plus, there’s a team crafting the original music for the show.
In the end, Daisy tells her own story, unvarnished and without remorse. Is it a cautionary tale? Is it a love story? Or is it all about the music? You decide. I think there’s lots and lots of fodder for your next book club discussion. And if you want to read what Rolling Stone itself has to say about Daisy Jones and The Six: https://www.rollingstone.com/culture/culture-features/daisy-jones-the-six-book-taylor-jenkins-reid-women-music-803045/
“It is what I have always loved about music. Not the sounds of the crowds or the good times as much as the words – the emotions, and the stories, the truth- that you can let flow right out of your mouth. Music can dig, you know? It can take a shovel to your chest and just start digging until it hits something.”
As you might imagine, there was not a lot of food being consumed in this book. But Daisy did specifically request a hamburger for her one meal a day and there were copious amounts of champagne.
My menu would be California-inspired.
Guacamole with chips
California burgers: hamburgers wrapped in Bibb lettuce leaves instead of buns (no carbs!)
Sweet potato fries
Fleetwood Mac’s Rumours
The Eagles’ Hotel California
Sounds like Amazon is already working on this but just in case they need some help.
Daisy — Emma Stone certainly fits the bill.
Billy — I can’t see anybody but a young Johnny Depp
Camilla — Selena Gomez (give Camilla some songs)
Graham — James Marsden
Karen Karen — Miley Cyrus
Eddie Loving — Ben Foster
Pete Loving — Jon Foster
Warren — I really want John Krasinski to play this part. He would be hilarious.